Reels in progress!


@kingsmenshakespeare summer 🌞
✧・゚: *✧・゚:*✧・゚: *✧・゚:*
☔️TWELFTH NIGHT | 6/20-7/6 | dir. Brett Elliott
🦅CYMBELINE | 7/11-7/27 | dir. Jason D. Rennie
📸 photos by Brian Stetham!

got to sing my favorite song for the Kingsmen Cabaret this weekend :) i feel the most like myself when i sing this beautiful score, and after working on this piece for almost a year(!!), i am so proud of the progress i continue to make in telling its story 🩵

🐶🎲💸
what an incredibly challenging adventure this has been. amidst all the struggle and frustration, i am endlessly grateful for the continuous encouragement and support of this superstar cast and the PCPA faculty — who all constantly reminded me that the outlook wasn’t quite as grim as it seemed and i was doing a good job, actually. i truly could not have asked for a better, more capable team to take this journey with. no way i would do this twice…but once - just once - it was nice :)
🌟
LUCKY STIFF
🎭 Director/Dialect: Christen Celaya (@sestina1)
🎶 Director/Music Director: Paul Marszalkowski (@paulmarsz)
🎤 Stage Manager: Grace Neal (@_graceneal_)
💃 Choreographer: Sophie Kirby (@soph.kirby)
🔦 Lighting Designer: Jenna Agredano (@j.iiilyse)
🔊 Sound Design: Hunter Oehlschlaeger (@bruhnter_) & Paul Marszalkowski
🪜 Deck Crew: Hannah Hay (@hay_itshannah)
📸 Photography: Mark Velasquez (@markvelasquez101)

so grateful I got to share my last Shakespeare assignment with my favorite scene partner<3 Roy&Joe&Brutus&Cassius 4ever. and extra grateful to Andy Philpot for trusting us with such a challenging piece!! ⚔️🏛️👬

self-tape outtakes from today feat. the angel on my shoulder @lucastheoldsoul 👼💘
i’ve been struggling with feelings of inadequacy and insecurity in my work for quite a while — but more & more i find myself fighting back against the thoughts that tell me there’s no place for me in this field and reconnecting with the parts of my actor self that remind me how much i love to do this. i count my lucky stars every day that i’m an actor who loves auditioning, and i’m starting to try and love every version of my work just as much!
this video was one of the takes i decided not to submit, but i’m so glad i watched it back before deleting it because there’s some good stuff in here 🕺 and getting to hear for myself how much i’ve grown just this year (from hours of hard work & dedication!) is becoming easier to celebrate every day 🌟

so strange and bittersweet to have completed my final classroom acting unit at the beginning of this month! deeply grateful that @nocaution_stein let me nerd out about Jane Austen and work on a dream role, and endlessly thankful for the support, creativity, and hard work of my wonderful scene partner @lucastheoldsoul — the most iconic Mx. Darcy a Mx. Bennet could ask for 💞🎩🪭🫖☕️

slow down, you crazy child 🌀
some Billy Joel with @paulmarsz for our pop song unit!

it’s been a week since we said goodbye to Messina and my heart still hurts. how very, very lucky i am to have been a part of this brilliant, kind, selfless cast. how grateful i am to have gotten to live in this beautiful world created by our incredible designers. it will never be this wonderful again. 💐❤️🩹
Directed by Andy Philpot
Stage Manager: Jack D. Myles
Choreographer: Jay Brenneman
Scenic Design: Jason Bolen
Costume Design: Tracee Bear
Lighting Design: Cody Soper
Sound Design: Elizabeth Weidner

thoroughly enjoyed CLUE: The Musical last night at @calpolythtrdanc with a dozen of my friends and colleagues!! ♟️🕵️♀️🧩
one of my favorite parts of @pcpa_conservatory is our passion to create, celebrate, and support art being made EVERYWHERE. i am so glad we got to cheer on @paulmarsz and Karin Hendricks-Bolen’s wonderful production and their delightful cast!! 💗

hard to believe there’s only one more week of Much Ado @pcpatheatre 🥲❤️🩹🪴 #deliverupmyapes #giftsthatgodgives #manisagiddything
🧵costume design by Tracee Bear
🛠️scenic design by Jason Bolen












…Check out my Instagram in the meantime!
